“Liberating” The Tarot Reading

AUTHOR'S NOTE: In his fictionalized biography of Michelangelo Buonarroti, Irving Stone put words in the sculptor's mouth to the effect that, in order to carve a statue of a horse from a block of marble, all he had to do was "remove everything that isn't horse." He was in effect freeing his vision from its … Continue reading “Liberating” The Tarot Reading

Trumps and Trigrams: A Syncretic Exercise

AUTHOR'S NOTE: In my recent essay (linked below) on syncretism between Western astrology and the I Ching, I correlated the twelve Ptolemaic signs of the zodiac with the eight I Ching trigrams and, via synthesis between consecutive signs, with twelve of the 64 hexagrams. In doing so I resorted to a good deal of inspiration, … Continue reading Trumps and Trigrams: A Syncretic Exercise

Up-slopes, Down-slopes and Flat-lines: A Three-Tier Tarot Spread

AUTHOR'S NOTE: Here I'm posing the question "Which of three typical 'motifs' will form the core of a tarot reading and have the most to say about the situation?" In this experiment I'm attempting to craft an approach that separates the cards pulled for a reading into three situational scenarios indicating the path the narrative … Continue reading Up-slopes, Down-slopes and Flat-lines: A Three-Tier Tarot Spread

Pitch-Perfect: Tarot Reading as “Tone Poem”

AUTHOR'S NOTE: On nearly every page of Benebell Wen's book, I Ching, the Oracle: A Practical Guide to the Book of Changes, I encounter another example of ancient Chinese wisdom that provides fresh impetus for my ever-increasing forays into esoteric syncretism. This time it was the following excerpt: ". . . every movement in the … Continue reading Pitch-Perfect: Tarot Reading as “Tone Poem”